Fri 16.03 18:00 // EXHIBITION // ACUD GALERIE

    The second Chapter of the curatorial collective Karma Ltd. Extended.
    Featuring newly commissioned works by Isaac Chong Wai and Rachel Monosov.
    Opening Hours: Saturday, Sunday: 16:00 – 19:00
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    16.03.2018 OPENING PARTY @ ACUD CLUB, 23:00 – 04:00
    Black Cracker
    Rui Ho
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    31.03.2018 @ ACUD STUDIO, 19:30
    Al-Isnad or Chains We Can Believe In (Lecture Performance) by Slavs and Tatars
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    14.04.2018 @ ACUD KINO, 21:15
    MINE – The Film Will Always Be You: A film program series curated by artist Abrie Fourie.
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    We cannot act without supports, and yet we must struggle for the supports that allow us to act. (Judith Butler in: Notes Toward a Performative Theory of Assembly)
    Transcultural Transience, the second chapter of the curatorial collaboration Karma Ltd. Extended, is approaching political aspects of history, while investigating notions of ephemerality, knowledge-production, and transmission. During five weekends, the gallery hosts a site-specific and process-oriented performance series, a lecture, and a screening program.
    The newly commissioned durational works by Isaac Chong Wai and Rachel Monosov question how embodied collective memory can be reconsidered and dealt with through performance. By looking at large-scale gatherings, such as demonstrations and the Olympic Games, the artists are investigating the role of the individual within those assemblages. What is the function of the bystander, who unexpectedly becomes part of a public demonstration? And what can we make of human bodies, marked by weakness and perfection, which become symbols for a national or political struggle? These are examples of questions that arise, more frequently so within our societies becoming rapidly digital— as human activity becomes increasingly virtual, and the line between physical and virtual spaces our bodies inhabit become blurred.
    This performance series took its beginning from politically charged images that surround and accompany the immediateness of our online personalities every day. These images are a trace of a political past, which continue reiterating themselves into the future. What if we try to slow down the speed of distribution of images on the world wide web? How can we understand, translate, capture, edit, and seek to archive these images that flicker on our screens? And yet they slip away in the invisible archives of the multinational corporations and we, once again turn into passive bystanders within a large-scale global process. Being connected to the Internet is simultaneously a transience and transcultural act, as one can momentarily extend political borders and spaces. What if we try to leave those virtual ephemeral platforms and assemblies behind and start to perform again outside of the laptop screen?
    Slavs and Tatars are aiming for a visualization of transcultural transience in the history of the human being. They refer to themselves as archaeologists of the everyday as they draw upon deeper layers of meaning exemplified by tradition, custom, performance, language, anthropology and politics. By breathing life back into vast, misunderstood and often forgotten regions, the artist collective aims to resuscitate Eurasia.
    Abrie Fourie, a Berlin-based photographer and artist from South-Africa, shares his knowledge and perspective on documented performance works by South African artists and the diaspora. His curated film series MINE – The Film Will Always Be You offers a rare and in depth look on performance ephemerality captured on film, which seeks to explore the myriad ways in which we identify and position ourselves.
    The newly commissioned durational works by Isaac Chong Wai and Rachel Monosov are going to start separated from each other. While Isaac Chong Wai will be working with his performers in the gallery space for the first two weekends of the exhibition (March 16/17/18/24/25), Rachel Monosov and her performers will find their way into the gallery on the third and fourth weekend (March 31 and April 1/7/8). On the fifth and last weekend (April 14/15), the two works will collide in the exhibition space. A journey with an unknown outcome.
    Performance Dates: March 16/17/18/24/25 and April 14/15 from 16:00 – 19:00 @ ACUD Galerie.
    Dancers: Katherine Leung, Manuel Lindner, Imola Nagy, Nobutaka Shomura.
    Isaac Chong Wai is a Berlin based artist from Hong Kong, who works with diverse media such as performance, site-specific installation, public art, video and photography. He engages with themes of collectivism and individualism, politics of time and space, borders, migration, war, militarism, racism, identity politics, public sphere and human rights. In Rehearsal of the Futures: Is the world your friend? the artist combines existing works with a series of newly developed durational performances in which he imagines how future generations might look at the current and former ideological consensus of certain body postures, gestures and movements. Isaac Chong Wai deals with these so-called ideological movements or ideological postures in order to look for and propose possible futures. Rehearsal has always been made for the future: a rehearsal for a theater play before the curtain is opened, a rehearsal of a song before the concert starts, a rehearsal for a speech before it goes public. Rehearsing is then made for reaching the idealistic and perfect form of what one expects to show in the future, while we are not able to find a perfect form from the future to rehearse: the time has not yet come. The artist uses the word the futures, which are the possible fragments proposed in regard to the rupture of time between the past and the future as a form of reconciliation. Meanwhile, the reconciliation is enacted through performance so as to deal with the repetitive history and offers a new body movement that reconciles between body and time. 
    The work of Isaac Chong Wai was featured at the Bauhaus Museum (Weimar), Haus der Kulturen der Welt (Berlin) and the Moscow Biennale for Young Art.
    Performance Dates: March 31 and April 1/7/8/14/15 from 16:00 – 19:00 @ ACUD Galerie.
    Dancers: Stephanie Amurao, Katrina Bastian, Rachell Clark, Victor Dumon, Kinga Jaczewska, and Susie Yugler.
    Music: INRA (Philipp Rhensius & Adam Ben-Nun
    Live Visuals: Lisa Lapierre
    Produced in collaboration with Catinca Tabacaru Gallery, NY
    Rachel Monosov is a Russian-born and Berlin based artist, who in her work delves into cultural notions of alienation, territorial belonging, gender, and identity. Her newly developed work Olympia takes Leni Riefenstahl’s film Olympia (1936) as a point of departure and investigates the bodily moments before the action and after: the seconds between motionlessness and getting into shape. The artist scrapes out this sculptural moment of transition and works with the image of perfect bodies, standing united on the starting blocks and finishing line. Monosov asks: We know what took place outside the walls of the stadium in 1936, but do we know or care what is taking nowadays place outside the walls of this room? Through the re-enactment and reproduction of the body movements and film aesthetics of Olympia in slow motion, the artist glares painstakingly at the human traces and moments of doubt in this nationalistic historical insignia, a questioning of the celebration of Olympic perfection.
    Rachel Monosov’s previous work Transcultural Protocol, a collaboration with Admire Kamudzengerere, was presented at the Zimbabwe Pavilion at the Venice Biennale in 2017. She made museum presentations at the National Gallery of Zimbabwe (2016), and at Museum Dhondt-Dhaenens (Belgium, 2017). Monosov is a co-founder of the CTG Collective.
    Curated by Pauline Doutreluingne and Petra Poelzl (Karma Ltd. Extended)
    Gallery Management: Silvia Prolunghi
    Assistant Curator: Camila Palomino
    Press: Marianne Jacquet
    Intern: Hazal Kaygusuz
    Exhibition Design: Torsten Oetken
    Graphic Design: Julie Gayard
    Logo Design: Norman Palm (Fertig Design)
    Funded by
    Sa/Su 16:00 -19:00

    Kunsthaus ACUD / ACUD MACHT NEU
    Veteranenstrasse 21, Berlin

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    Sat 14.04 21:00 // CONCERT // ACUD CLUB

    Einst zelebrierte das ADRIANO CELENTANO GEBÄCKORCHESTER (ACGO) (ACGO) regelmäßig wirrwüste Nächte in Berlin – im Antje Øklesund, wo es die Hausband war. Musiker und Publikum suhlten sich in Tränen des Glücks, umflort von Seifenblasen und Konfetti. Aber das Antje wurde abgerissen und das Orchester musste neue Wege gehen – und es führt sie nun am 14.4.2018 ein weiteres Mal ins Acud.
    Die zwölf Apostel von San Remo, sie rufen, singen, spielen und tanzen die italienische Beat- und Popmusik der 50er bis 80er Jahre ins Hier und Heute zurück. Jan Brandt, der berühmte Schriftsteller, schrieb einmal, sie würden den Klassikern mit einer “Mischung aus Bombast und Blech, Stil und Schmutz, Klugheit und Kaputtheit ganz neues Leben einhauchen.” Ja, besser hätte mans nicht sagen können. Diese Alchemisten der felicità werden auch dein phlegmatisches Blut im Nu in Aperol Spritz verwandeln. Denn der Schönheit und flüchtigen Utopie der musica leggera kann sich niemand entziehen.
    Darum: Lasst es Amore sein! – Venite tutti!
    Presented by ACUD MACHT NEU

    SA 14.4 // 21H // 8€
    der schönheit und flüchtigen utopie der musica leggera kann sich niemand entziehen – venite tutti!
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    Sat 14.04 21:15 // SCREENING // ACUD GALERIE

    MINE – “The Film Will Always Be You”
    A film program series curated by artist Abrie Fourie that seeks to explore the myriad ways in which we identify and position our selves.
    MINE is a selection of films of mainly South African artists and the diaspora, as well as artists from other parts of the world living in South Africa. MINE was first shown at Iwalewahaus, University of Bayreuth in 2011. Since then, various iterations of MINE have been shown at DUCTAC Dubai (United Arab Emirates), University of Johannesburg, and University of the Free State (Bloemfontein, South Africa). In 2013 MINE was hosted by MC2a & Novart (Bordeaux) and by Khiasma Paris (France). The Tate Modern London staged a revised version of MINE, titled The Film Will Always Be You: South African Artists On Screen, as part of SA-UK Seasons 2014-2015 in collaboration with Tate curator Zoe Whitley. In 2017 MINE was shown as an exhibition at the Latrobe Regional Gallery (Australia). MINE is an associated project of Modern Art Projects South Africa.
    Bridget Baker, Dineo Bopape, Jacques Coetzer, Barend de Wet, Teboho Edkins, Neville Gabie, Simon Gush, William Kentridge, Donna Kukama, Michael MacGarry, Nandipha Mntambo, Mohau Modisakeng, Tabita Rezaire, Robin Rhode, Athi-patra Ruga, Berni Searle, Lerato Shadi, Penny Siopis, Gregg Smith, Johan Thom, Minnette Vári
    The films opened an enormous door because they gave me a sense that it was possible to work without a program in advance, without first having written a script – a sense that if you work conscientiously and hard, and there is something inside you that is of interest, you yourself will be the film and the film will always be you. – William Kentridge
    Part of Transcultural Transience, the second chapter of the curatorial program Karma Ltd Extended @ Acud Macht Neu.
    Please make your reservation to
    Funded by
    SA 14.4 // 21H15 // 7€
    a film program series curated by artist abrie fourie that seeks to explore the myriad ways in which we identify and position our selves
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