EVENTS CALENDAR

    CHAPTER #3: VARIATIONS ON TIME

    Fri 27.04 18:00 // OPENING // ACUD GALERIE
    CHAPTER #3: VARIATIONS ON TIME

    Karma Ltd. Extended presents VARIATIONS ON TIME, the third chapter of the curatorial collective @ Acud Galerie.
     
    OPENING: 27.04.2018 @ACUD GALERIE – 18:00 with Kapwani Kiwanga and Susanne M. Winterling.
    SUNDAY MATINEE ABOUT VARIATIONS ON TIME: 06.05.2018 @ ACUD STUDIO 11:00-14:00
    Artist talk: Susanne M. Winterling
    Screening: “The Sun Ra Repatriation Project” by Kapwani Kiwanga
    Performance: Emilija Skarnulyte
    Free entrance
     
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    The dominant model of time in contemporary Western societies is known as a linear, goal-oriented time: a ‘mechanical’ time that can be measured, owned, used, bought and sold by humans. Thinkers such as the geologist James Hutton, the author of the Deep Time theory, have described that the age of the Earth has been determined to be around 4.55 billion years. Humans have been around for an extremely short period on this geological timeline. In the third chapter Variations on Time, Karma Ltd. Extended presents the work of artists who deal with non-anthropocentric, organic tenses and question the traditional time patterns. By providing access to forms of knowledge and understandings that the dominant linear and anthropocentric time culture suppresses, they invite us to imagine different ways of interspecies co-existence and counter-narratives.
     
    Working with sound, film, performance, and objects, Kapwani Kiwanga (born in Canada, based in Paris) relies on extensive research to transform raw information into investigations of historical narratives and their impact on political, social, and community formation. Her work focuses on sites specific to Africa and the African diaspora, examining how certain events expand and unfold into popular and folk narratives, and revealing how these stories take shape in objects and oral histories. Trained as an anthropologist, Kiwanga performs this role in her artistic practice, using historical information to construct narratives about groups of people. Kiwanga is not only invested in the past but also the future, creating speculative dossiers from future civilizations to reflect on the impact of historical events.
     
    In the series Subduction Studies (2015-2017), Kiwanga observes the space between Earths continents, specifically Africa and Europe. The speculation of Pangaea Ultima suggests a supercontinent occurring again, which will see Europe slipping underneath Africa. This theory inspired Kiwanga to take photographs at the National Museum of Natural History in Paris of rock specimens from the Northern coast of Africa and Spain. By folding the photographs together, she not only demonstrates a new form but also a new geopolitical perspective, where two continents and their migrants would be geographically connected.
     
    Kiwanga is the winner of the 2018 Frieze Artist Award. Her work has been shown at the Hammer Museum (Los Angeles, 2018), Tate Liverpool (2017) and Portikus (Frankfurt, 2017), among others. Kiwanga’s performances have been presented at Documenta 14 (Athens, 2017), Momentum 9 (Oslo, 2017); Tate Modern (London, 2014) and Centre Pompidou (Paris, 2014), among others.
     
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    Susanne M. Winterling (born and living in Rehau and Berlin, Germany) works across a range of 
media to explore the sentient economy, digital cultures and the social life of materials in the environment. Winterling’s practice reflects upon political as well as aesthetic entanglements and power structures among human/animal/matter.Forms and materials narrate about the relationship between species and elements in today’s challenging geopolitical context. Working across a variety of media and with a constant challenging and questioning of artistic media in society, Winterling is known for her time-based installations that critically engage the representation of reality. Prevailing modernistic concepts, power structures, and hierarchical historiographies are captured and investigated in her work in the form of spatial constellations. Her practice emphasizes what pure information and form leaves out – including a sensual approach to media and material as well as body flows. Winterling undertakes affective and material-based research that highlights the subjective interaction between producers, viewers, materials, and species in our ecology.
     
    Susanne Winterling ’s recent research has centered around microscopic and satelitte image captured marine organisms called dinoflagellates. These protagonists are bioluminescent: when mechanically activated—by the movement of swimmers or boats—populations of dinoflagellates cause a blue glow in the water. Physicist-cum-philosopher Karen Barad cites “dinos” as one instance of “queer” nature: they “are neither plant nor animal, but can act as both.” Winterling calls the bioluminescent dinoflagellates and the ecosystems in which they are embedded an “affective, haptic system.” The teeny organisms react to touch in a way the artist compares to a living touchscreen. In this, she deliberately blurs the lines between the human hand, technology, and plankton. The viewer is put at eye level with the suspended and enlarged organism, albeit one that doesn’t have eyes or a central nervous system. While being a perfect example of embodiment the sentient species are an alarmsystem for changes now heavily announced on the planet. In so doing they suggest an alternative way to imagine communication and community while some awaken by melting ice have turned toxic and remind us of a future with transformations to come.
     
    Her recent works and projects have been shown at the tba 21 Vienna (2017) MIT List Visual Arts Center (2017), Contour Biennale 8 (2017), Kunstverein Lagenhagen (2016), e-flux in New York (2015) and at the Fridericianum Kassel (2014).
     
    Curated by Pauline Doutreluingne, Jana J.Haeckel, and Petra Poelzl
     
    Assistant Curator: Camila Palomino
    Gallery Management: Silvia Prolunghi
    Press: Marianne Jacquet
    Curatorial Intern: Hazal Kaygusuz and Diane Esnault
     
     
    SAVE THE DATE:
    Sunday Matinee about Variations on Time @ ACUD STUDIO
    6.05.2018: 11h – 14h
    Free entrance
     
    Artist talk: Susanne M. Winterling with Pauline Doutreluingne
    Screening: “The Sun Ra Repatriation Project” by Kapwani Kiwanga
    Performance: Cloud Chamber by Emilija Skarnulyte
     
    Cloud Chamber explores questions of the beginning of the universe in relation to the geological ungrounding processes, invisible structures, geo-traumas and deep time. It is a fictional visual meditation about contemporary science and a cross sections of the larger systems of power and the politics of desire.The relations between humans and nonhumans become transfigured and weaved equally into the new forms of life.
     
    Funded by the Berlin Senate Department for Culture and Europe.
     
    karma-partners-logos-senat
     
    Supported by Tanja Wagner
     
    Address:
    Acud Galerie, Veteranenstraße 21, 10119 Berlin
    Opening hours: Fri-Sat-Sun 13h-19h
    For press inquiries: karmapress@acudmachtneu.com

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    COMMON HOLLY // RU

    Tue 22.05 20:00 // CONCERT // ACUD CLUB
    COMMON HOLLY // RU

    Lou Fai, Canadian Content & Paper and Iron Booking Co. present: The Berlin debut of the New York singer-songwriter Common Holly.
     
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    COMMON HOLLY
    Born in New York and raised in Montreal, Common Holly (AKA Brigitte Naggar) puts unpredictable compositional elements into a singer-songwriter/folk framework, packaged in textured, eclectic electro-acoustic production. Her album, Playing House, contemplates the notion that it is conscious thought and deliberate action that defines and cements maturation from child to adult.
     

     
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    RU
    … is a Swedish singer, songwriter and lyricist, currently based in Berlin. Her music may be described as a subtle blend of experimental artpop and timeless folk, with influences found in artists such as Vashti Bunyan, José González, Sigur Rós and alike. Her sound explores the contrast between harmonious vocals, haunting melodies and atmospheric guitars with a storytelling speaking of Scandinavian wilderness and cold, roiling seas. The debut EP Hunter and Prey, was released in April 2017, and since then Ru has constantly been playing live, either as a solo act or with band. Currently she is working on her first full length album to be released in 2018
     

     
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    DI 22.5 // 20H // 8-10€
    ACUD CLUB // CONCERT
    lou fai, canadian content & paper and iron booking co. present
    COMMON HOLLY // RU
    unpredictable singer-songwriter/folk compositions from nyc
    FB Event

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