EVENTS CALENDAR

    MATTI SUMARI - CEMENTA & TOYOTA

    Fri 17.11 18:00 // EXHIBITION // ACUD GALLERY
    MATTI SUMARI – CEMENTA & TOYOTA

    OPENING: FRI, 17th November 2017, 7 – 10 PM
    EXHIBITION: 17th November – 16th December 2017
    OPENING HOURS: FRI & SAT, 1 – 6 PM
     
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    Cementa and Toyota are two sculpted sisters located in the industrial landscape of the Malmö harbor. They reside at the waters edge on the last strip of public land amidst a large depot of imported cars and a colossal cement silo. These two site-specific sculptures, one cast in concrete— the other moulded in HDPE plastic from the area, contemplate on their situation, vaguely aware of the synthetic, artificial nature of themselves and their surroundings.
     
    In the exhibition at ACUD gallery a film about these two sister sculptures will be shown alongside the works themselves, Drifter, Biofoul and Residuals / Age of Shiny.
     
    Drifter – which also serves as a bench for watching the film – is made of concrete and a car shock absorber, Residuals / Age of Shiny are the residues – or mutant sisters – of the creation process of Cementa and Toyota and Biofoul consists of a stack of vegetable crates filled with apples for the audience. What unifies all these sculptures is that their material was found on site – an artificial stretch of land built out of rubble and contaminated waste in Malmö harbor.
     
    The two sisters remind us of carved figureheads used as guardian spirits at the prow of old sailing ship, but their positioning on the waterfront seemingly also mocks the romanticism of the little mermaid – the famous tourist attraction positioned on the other side of the Oresund in Copenhagen.
     
    Toyota and Cementa are the last in a line of Matti Sumaris humoristic-melancholic quest to come to terms with a mankind which is constantly alienating itself more and more from its surroundings and leaving behind nothing but waste.
     
    In past exhibitions such as(The Logic of) Instruments For Cycles Through A Hunter-Gatherer-Gardener Matti Sumari applied a techno-archaic logic to build out of discarded bicycles found in Umea-river a mobile quick composter to compost organic garbage and grow on it flax for oil and mattresses, he reuses now with Cementa and Toyota the debris of the industrial landscape to imagine a futuristic trash-animism, both times applying premodern mindsets to the man-made and controlled environment of today.
     
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    Organized by Johannes Braun
     
    Cementa & Toyota – A Fable of Two Sisters, 2016. HD video, 08.51min. Drifter, plaster, 2017. plastic shock absorber, wood
     
    Biofoul, 2017. plastic, apples from Mellersta Hamnen
    Residuals / Age of Shiny, 2016-2017. concrete, plastic, brass, stone
     
    Matti Sumari
    Born 1987 in Helsinki, Finland
    Lives and works in Malmö, Sweden
    Artist and coordinator at the artist-run exhibition space Alta Art Space in Malmö, Sweden
     
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    FRI 17.11 – SAT 16.12 // OPENING: FRI, 17.11, 7 – 10 PM
    ACUD GALLERY // EXHIBITION
    MATTI SUMARI – CEMENTA & TOYOTA
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    DEAD LADIES SHOW: CHRISTA REINIG // LEONORA CARRINGTON // MEMPHIS MINNIE

    Tue 21.11 20:00 // PERFORMANCE, LECTURE // ACUD STUDIO
    DEAD LADIES SHOW: CHRISTA REINIG // LEONORA CARRINGTON // MEMPHIS MINNIE

    The DEAD LADIES SHOW is a series of entertaining and inspiring presentations on women who achieved amazing things against all odds. Every two months, the show hosts three passionate cheerleaders of too-oft forgotten women, inviting its loyal audience into a sexy séance (of sorts) celebrating these impressive icons, their turbulent lives, and deathless legacies.
     
    Show number 14 brings you three out-and-out rebellious ladies who took their lives in their own hands and gave us great art: an East German writer who found recognition and then disapproval in the West, a painter who shaped both Surrealism and feminism, and one of the most influential blues musicians of all time. Presented by top Berlin writer ANNETT GRÖSCHNER, Australian author JESSICA MILLER, and your favourite regular, FLORIAN DUIJSENS. Co-host KATY DERBYSHIRE will be holding the reins and welcoming you all. So throw caution to the wind, embrace your inner rebel, and raise a glass to a trio of fabulous females with us in the ACUD STUDIO on 21 November, 8pm.
     
    Presented in a messy mixture of English and German. €5 or €3 reduced entry. Now generously supported by the Berliner Senat. Doors open 7:30 – come on time to get a good seat!
     
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    ABOUT
     
    Our dead Berliner is CHRISTA REINIG, born right here in 1926. A working-class lesbian writer, her remarkable life took her from Trümmerfrau to floristry to museum curating, all the while refusing to conform to authority. Having been banned from publishing her work in the GDR, she got her poems and stories into print in the West. In 1964, she went to West Germany to accept a literary award – and never went back. The 1970s saw her discovering feminism, finding a sometimes satirical voice to articulate women’s experiences and ways to write poetry about lesbian love. But – surprise! – the literary establishment wasn’t much into that. Christa Reinig is remembered for her “life-affirming sarcasm” and brash, Berlin-style charm.
     
    The painter and novelist LEONORA CARRINGTON was born in England but spent most of her adult life in Mexico. Even as a child, art offered her a way out of the constraints of her family’s expectations, and she was soon drawn to Surrealism – and the artist Max Ernst. Not one to settle for muse status, Carrington began painting and sculpting in the Surrealist style. She also wrote to deal with the blows life threw at her, from incarceration in an asylum to aging while female. In Mexico, she became a fêted political artist and helped begin the country’s Women’s Liberation movement. She received the ultimate posthumous honour in 2015, with a painting of hers made into a Google Doodle.
     
    Tobacco-chewing blues singer MEMPHIS MINNIE ran away from home at the age of 13 and made a living off music from then on, from street performances supplemented by prostitution to hundreds of now classic recordings. It was said she never put her guitar down until she could no longer hold it in her hands, and she was known to use it as a weapon when required. Her songs were about the joys and hardships of everyday black life; according to the poet Langston Hughes, she played “music with so much in it folks remember, that sometimes it makes them holler out loud.” Largely forgotten for many years while white men covered her songs, she is now celebrated for her huge contribution to blues music and what came after.
     
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    DI 21.11 // 20H // 3-5€
    ACUD STUDIO // LECTURE PERFORMANCE
    DEAD LADIES SHOW:
    CHRISTA REINIG // LEONORA CARRINGTON // MEMPHIS MINNIE
    celebrating three fabulous dead women
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