EVENTS CALENDAR

    JAKOB KOLDING

    Fri 27.01 19:00 // EXHIBITION, OPENING // ACUD GALLERY
    JAKOB KOLDING

    JAKOB KOLDING, dislocated discolated
    OPENING: FRI, 27. JANUARY 2017, 7 – 11 PM
    EXHIBITION: 28. JANUARY – 26. FEBRUARY 2017
    OPENING HOURS: WED – SAT, 1 – 6 PM & BY APPOINTMENT
    Curated by Elodie Evers
     
     
    Jakob Kolding is best known for his hand made collages and posters in which he samples and mixes the visual idioms of art, architecture, literature, theatre, and music. Since the late nineties, Kolding has been creating his own vocabulary of cut-outs that continues to grow and expand with time. The same elements are re-used and re-contextualized in different works, constructing a variety of context-dependent meanings and narratives. Whereas his early works were mostly made with reference to a specific time and place, usually revolving around the relationship between the ideologies of urban planning and the actual use of space, his newer works are more abstract and hence more open for interpretation.
     
    Recent years have also witnessed a gradual development towards the 3-dimensional in his work: arrangements of sculptural figures, life-sized wood cut-outs printed with black and white imagery, transfer the collages into the actual space. Kolding creates scenographies — stagelike settings that invite viewers into a tableau vivant while demanding that they constantly navigate their own spatial experience.
     
    The exhibition at ACUD brings together both a group of sculptural figures and a selection of new small-scale collages. Through their size and the depth of their frames, these collages allude to historical dioramas. Dioramas were originally produced as miniature scenes in three dimensions with objects and figures placed in front of a painted background in order to create a realistic impression. In inviting people to look at, and often literally enter such a setting, the emphasis lies on the viewer and their imagination. Instead of being presented with a complete vision, or with something posing as fact, openness and ambiguity are at the core of these viewing apparatuses.
     
    The show’s title, dislocated discolated, represents Kolding’s ongoing fascination with the potential for something new that lies in every breakdown, collapse, or change in general. Dislocation stands for disruption, for a state of being displaced. More concretely, it can be read as a reference to one of the most challenging issues of our times. ‘Discolation’, on the other hand, is a word made up by Kolding himself by simply rearranging the existing letters of the original word (a word game that he pursued to an extreme in his new four-part poster produced for this show, which will also be hung up around Berlin). It entails the word ‘disco’ that is associated with a variety of celebratory, shimmering meanings.
     
    The concept of dislocation probably comes into focus most prominently with the collage Foreign Fish (2017), in which a couple of men stand inside Mies van der Rohe’s famous Seagram building and stare at a gigantic, colorful fish passing though the otherwise grim surroundings. The safety of the rigidly planed inside collides with the chaotic phantom-like outside — a landscape and a group of people on a raft taken from the original illustration of Jules Verne’s Journey to the Centre of the Earth. All of the cut-outs are black and white except the fish. Simultaneously strange and beautiful, it introduces a new order. By continuously creating these speculative topographies, Kolding points at an openness that is at once challenging and reassuring.
     
    +++The exhibition opening will be followed by an after-party with DJ sets by Wolfgang Tillmans and Lars Erik Frank+++
     

    Jakob Kolding (*1971 in Albertslund, Denmark) has exhibited extensively throughout Europe and the United States. dislocated discolated is the artist’s first solo show in Berlin. He is currently working on a stage set for the Bregenzer Festspiele and regularly writes for the Berlin based magazine Starship where he translates his interest in reinventing and (de)constructing meaning into texts that reflect on his favorite books.
     
    Kolding´s previous exhibitions include: The Museum of Contemporary Art, Chicago, IL; The Stedelijk Museum Bureau Amsterdam, Amsterdam, The Netherlands; The Frankfurter Kunstverein, Frankfurt, Germany; Kunsthalle Wien, Vienna, Austria; Palais de Tokyo, Paris, France; Kunstverein in Hamburg, Germany; Museum Villa Stuck, Munich, Germany; Moderna Museet, Stockholm, Sweden; CCA Wattis Institute for Contemporary Arts, San Francisco, USA; The Museum of Contemporary Art, San Diego, California; and The University of Michigan Museum of Art, Ann Arbor.

     
    Image: Jakob Kolding, We All Feel Better in the Dark, 2016, detail
     

    With kind support by
     
    senatslogo_WORDPRESS
     

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    ASK SOMETHING

    Thu 23.02 20:00 // EXHIBITION // ACUD STUDIO
    ASK SOMETHING

    As part of transmediale and ctm vorspiel 2017 and an on-going series of community events, School of Machines, Making & Make Believe invite you to join them for their latest exhibition titled ASK SOMETHING.
     
    Participants will showcase projects aimed at asking questions, using the opportunity to not only create art but to learn something from it in the process. The goal of the event is to create a dialogue between artist and viewer and will take many forms including performance art, interactive and video installation, illustration and fine art.
     
    PARTICIPANTS
     
    Alice Stewart
    Andreas Refsgaard
    Beverley Ng
    Christian Kokott
    Claudine Chen
    Deborah Rodrigues Moreira
    Ewa Winiarczyk
    Gene Kogan
    Gilbert Sinnott
    Hillarey Cowan
    Jake Elwes
    Joana Moll
    Marcel Schwittlick
    Mate Steinforth
    Mattia Sappia
    Meredith Thomas
    Nicholas Mortimer
    Paula van Erven
    Rachel Uwa
    Raphael de Courville
    Rita Eperjesi
    Roland Arnoldt
    Sebastiano Lorenzo Pala
    Sophie-Louise Braziunas
    THE NIGHT LIBRARY
    The So Far Channel
    Tiffany Otto
    Wasabi Ng
     
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    School of Machines, Making & Make Believe is a uniquely curated School born in Berlin, Germany in 2014, keen on inventing one-of-a-kind hands-on learning experiences in the areas of art, technology, design, and human connection. // More Info
     
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    VORSPIEL 2017 AT ACUD
    DO 20.1 // ACUD CLUB+STUDIO+GALLERY // OPENING // More Info
    DO 26.1 // ACUD STUDIO // OPEN SEMINAR // THE STRUCTURE EXPERIMENT // More Info
    DO 16.2 // ACUD STUDIO // OPEN WORKSHOP // BACK TO BIO 02: VITAL INVASION // More Info
     
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    DO 23.2 // 20H // FREE
    ACUD STUDIO // EXHIBITION
    as part of transmediale and ctm vorspiel 17
    ASK SOMETHING
    a school of machines, making & make-believe community exhibition
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    CIRCULAR RUINS // MOONWHEEL // DJ MOLLY WASSER

    Thu 23.02 21:00 // CLUB NIGHT, RELEASE // ACUD CLUB
    CIRCULAR RUINS // MOONWHEEL // DJ MOLLY WASSER

    Portals Editions invites you to the presentation of a new release from Circular Ruins; “The Thorned Maze.”
     
    LINE-UP
     
    CIRCULAR RUINS, live [Portal Editions]
    MOONWHEEL, live [Where To Now? / Nous / Not Not Fun Records]
    DJ MOLLY WASSER [Mona Lisa Disco, Pantene]
     
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    ABOUT
     
    CIRCULAR RUINS
    Soaring melodies and marching synthesiser-sequences wander through the still void.
    Attempting to find ground, floating through an infinite myst.
    A faint memory of a forgotten past shines through.
    Extinct existence, brought back to life.
     

     
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    MOON WHEEL
    … is the project of Olle Holmberg, a Swedish multidisciplinary artist, composer and performer. Holmberg’s cerebral, shape-shifting compositions are inspired by nature, history, and wandering — integrating natural and synthesized sound worlds.
     

     
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    Tunes by DJ MOLLY WASSER
     
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    DO 23.2 // 21H // 5-7€
    ACUD CLUB // RELEASE
    portals editions presents
    CIRCULAR RUINS
    MOONWHEEL // DJ MOLLY WASSER
    more soaring melodies and marching synthesiser-sequences by the berlin based producer
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